宋祁“乐府声诗并著”的创作与宋初“士大夫之词”  

The Creating of Song Qi's "Yuefu Shengshi Combination" and "Literati-oficial's Ci" in Early Song Dynasty

作　　者：杨晓霭[1] 

机构地区：[1]西北师范大学文史学院,甘肃兰州730070

出　　处：《贵阳学院学报（社会科学版）》2008年第4期75-80,共6页Journal of Guiyang University:Social Sciences

基　　金：国家社会科学基金项目"宋代声诗研究"(03BZW036)阶段性成果

摘　　要：李清照追溯歌词发展历史,以为自唐至北宋"涵养百馀年",均呈"乐府声诗并著"局面。她批评"宋子京兄弟","虽时时有妙语,而破碎何足名家。"考宋祁创作,有声诗,亦有"乐府"。宋祁是仁宗朝雅乐建设的骨干,他"乐府声诗并著"的创作,正是宋初礼乐文化建设中"士大夫之词"创作的典型表现,也反映出"旧声"、"新声"竞相发展的态势。Li Qingzhao dated back the history of song lyrics, thinking that from the Tang Dynasty to the Northern Song Dynasty it “has been developed for more than 100 years”, representing in the form of “Shared Yuefu Shengshi in Common”. She criticized “Songzijing brothers”, “Although elegant words were created occasionally, incompetence also existed in literati.” In exploring Song Qi′s poetry there exist Shengshi, and Yuefu as well. Song Qi was the main figure in constructing court music under the reign of the fourth emperor in the North Song Dynasty, and his creation of “Sbengshi Yuefu combination” was the very typical form of “Literati -official′s Ci” in the rite and music cultural construction during the early Song Dynasty, also reflecting the competitive development trend between “ancient voice” and “new voice”.

关 键 词：宋祁 声诗 “乐府” “士大夫之词” 

分 类 号：I222.6[文学—中国文学]