科举与音韵──明代音韵学繁荣的原因  

The imperial examinations and phonology:The reasons for the flourishing of Chinese phonology in Ming Dynasty

作　　者：李子君[1] 

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《长春大学学报》2008年第11期42-45,共4页Journal of Changchun University

基　　金：国家社会科学基金项目(07CYY014)

摘　　要：在中国历史上延续四百多年的八股文,对当时的政治、思想、学术、文化、社会风习及思维方式等各个方面都产生过深远的影响,作为中国传统学问之一的音韵学也不例外。通过对明代科举内容的考察,并与宋代科举相对照,认为八股举业并未限制明人的诗赋创作,八股文讲究骈偶对仗的声律要求,客观上对明代音韵学的发展和传播起到了促进作用。The eight-part essay, which lasted for more than four hundred years in Chinese history, had an extraneous influence on such aspects as politics, ideology, learning, culture, society fundamental habit and mode of thinking at that time. Phonology, as one of Chi- nese traditional systematic learning, is no exception. By studying the imperial examinations of Ming Dynasty and contrasting it to that of Song Dynasty, the article thinks that the stereotyped eight-part essay had no restrictions on people＇ s poetry and rhapsody creation of Ming Dynasty, it paid particularly attention to the rhythm requests of parallelism and antithesis and it also played a promoting role to the development and transmission of phonology in Ming Dynasty objectively.

关 键 词：八股文 音韵学发展 平仄 对仗 声律 

分 类 号：H114[语言文字—汉语]