论六朝颂文的骈化及其艺术得失  

Research on Antithesiss and Artistic Gain and Losses of Royal Odes in Six Dynasties

作　　者：陈鹏[1] 丁一（校对） 

机构地区：[1]河南师范大学文学院,河南新乡453002 [2]不详

出　　处：《盐城工学院学报（社会科学版）》2008年第4期45-48,共4页Journal of Yancheng Institute of Technology（Social Science Edition）

基　　金：河南省教育厅人文社会科学研究项目"六朝骈文的形式及其文化意蕴"(批号:2008-ZX-069)

摘　　要：魏晋时期,颂文逐渐摆脱赋、颂之间的模糊界限而走向独立,不仅呈现出骈化的倾向,篇幅也有明显增长的趋势。至南朝时期,颂文则进一步骈化,绝大多数颂文的序和正文都是成熟的骈体。六朝的骈体颂文片面追求文辞之美及对序文的过分强调,都影响了它的艺术成就。Royal odes are trending independence of genre until Wen and Jin Dynasties, showing the tendency of antithesissing and longer passages. Royal odes are ulteriorly antithesissing in Nan Dynasties, most prefaces and texts of which are mature parallel prose. For unilateral pursuit of beauty of ornate diction and overmuch emphasis on the parallel, the artistic accomplishment of parallel royal odes has been weakened.

关 键 词：颂文 骈化 艺术得失 六朝 

分 类 号：I207.2[文学—中国文学]