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作 者:王珂[1]
出 处:《廊坊师范学院学报(社会科学版)》2008年第6期1-8,共8页Journal of Langfang Normal University(Social Sciences Edition)
基 金:2006年福建省社会科学规划项目"新诗诗体的历史考察与构建策略研究"(2006B2034)成果之一
摘 要:诗形是诗的重要文体标志,是诗体的主要成分。好的诗形不仅自身具备诗美,还能帮助诗人更好地表情达意,增加诗美。新诗的形体美是新诗重要的文体特征,在20世纪前半期受到新诗人的一定重视。但是在20世纪后半期,特别是在当代,由于新诗的历史,特别是形体建设及唯美写作的历史没有发生断裂,又受到西方诗歌重视诗的形体的观念甚至具象诗的影响,台湾比大陆更重视诗形建设。大陆的网络诗歌没有像台湾那样充分利用网络技术和多媒体手段进行创作,只是基本实现了网络诗的发行功能。大陆诗形建设落后的主要原因是很多诗人学者既不承认新诗应该有"诗体",更不承认新诗应该有"诗形"。Poetic shape, an important mark of style, is a major part of poetic form. A good poetic shape not only has its own beauty but also helps poets better express his or her emotion and meaning. As a significant mark of new poetry' s style, poetic shape was paid attention to by new generations of poets in the first period of the ;20~ century. However, in the latter part of the 20a century, especially at present, the construction of poetic shape has attracted more attention in Taiwan than that in mainland due to the history of new poetry without the rupture of the construction of poetic shape and the history of aesthetic writing as well as the influences of Western concept of shaped verses and concrete poetry. The network poetry in mainland is more concerned with the propagation function of internet but less with the function of technology and multiple media in writing in comparison with Taiwan. The major reason for the backward construction in poetic shape in mainland is that many poets and scholars do not admit that new poetry should has "poetic form", not to mention"poetic shape".
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