论帕慕克小说创作的“绘画情结”  

On The Drawing Complex In Orhan Pamuk's Writings

作　　者：杨中举[1] 

机构地区：[1]临沂师范学院文学院,山东临沂276005

出　　处：《华南农业大学学报（社会科学版）》2009年第1期97-100,共4页Journal of South China Agricultural University(Social Science Edition)

基　　金：教育部2008年人文社会科学规划基金项目(08JA752008);山东省教育厅社科研究项目(S07WF05)

摘　　要：奥尔罕.帕慕克的小说创作具有强烈的绘画情结,绘画艺术给了他无穷的创作灵感,赋予他描绘人、事、物的能力与智慧,色彩在他的作品中成为有血肉的文学形象,参与到文学叙事中,取得了非凡的艺术效果,形成了独特的风格。代表作《我的名字叫红》以伊斯兰传统细密画的方式构局谋篇,全篇流溢着红色、黑色等色彩,从一个独特的角度审视了土耳其人的历史、文化、艺术,展示了人性的复杂与裂变,思考了文明的冲突与共存等问题。在帕慕克的作品中,文学与绘画两种艺术形成了互动、互补、契合的关系,兼备两种艺术的灵韵。Orhan Pamuk＇ s fictions have intense drawing complex. Drawing has given him the infinite creative inspiration, and entrusted him with the ability and wisdom of describing human, matter and things. The colors have become literary figures with flesh and blood, participated in the literary narra- tion, obtained the extraordinary artistic effects and formed the unique style. Especially in My Name is Red, his representative work, Pamuk constructed it by ways of miniatures in Islam tradition, the whole work is overflowing with red, black colors and so on. Carefully examining Turk＇ s history, the culture, art from a unique angle, demonstrating human nature＇s complex and fission, pondering the questions of civilization conflicts and coexistences, and so on. In Pamuk＇ s works, the two kind of arts, literature and drawing, have formed the relations which the interaction, mutual - supplementing and affinity, gained the spirit aura of the two arts.

关 键 词：奥尔罕·帕慕克 色彩叙事 绘画情结 细密画 

分 类 号：I106.4[文学—世界文学]