论梦窗咏花词女性拟体的拓新与融变  

The Development and Innovation of the Feminine Personification in the Ci Poems Eulogizing Flowers by Wu Mengchuang

作　　者：孙虹[1] 张露敏[1] 

机构地区：[1]江南大学文学院,江苏无锡214122

出　　处：《福建师范大学学报（哲学社会科学版）》2009年第1期48-53,共6页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：全国高校古籍整理委员会资助项目(项目编号:0757)

摘　　要：文章在对南宋末期著名词人吴文英咏花词中女性拟体与此前两宋词人咏花词女性拟体的比较中,阐述了梦窗咏花词中女性拟体的拓新与融变。通过这一侧面,可以反观宋朝末年词体在学问与思力的双重作用下,追求极新极变的创作理念和创作实践。By making a comparison between the feminine personification in the ci poems eulogizing flowers by the famous ci poet Wu Wenying of the late Southern Song Dynasty and the traditional presentation of the feminine personification in the two Song Dynasties, this paper demonstrates the trend of development and innovation in the feminine personification. From this trend the concept and practice of writing which strives for utmost newness and change can be properly reflected under the dual pressures of knowledge and thinking power upon the ci style of the late Song Dynasty.

关 键 词：吴梦窗 咏花词 女性拟体 两宋咏花词 

分 类 号：H05[语言文字—语言学]