以《东京梦华录》为中心的“梦华体”文学  

"Meng-hua Style" of Literature Centered on Meng-hua's Record in Tokyo

作　　者：伊永文[1] 

机构地区：[1]黑龙江大学中国古代戏曲与宋金文化研究中心,黑龙江哈尔滨150080

出　　处：《求是学刊》2009年第1期114-119,共6页Seeking Truth

基　　金：教育部人文社会科学研究规划项目基金资助"<东京梦华录>研究";项目编号:08JA751010

摘　　要：长期以来,归于地理历史类的《东京梦华录》的文学本质方面遭到忽视。实际上《东京梦华录》处于笔记小说发展历史的中心环节,它上承汉唐笔记风土之长,下启宋及宋后笔记小说描写城市繁华与市民日常生活之先河。尤为孟元老所采取的"不以文饰"以俗为主的手法,创造了一种韵散相间,短小清新,上下通晓,亦庄亦谐的"梦华体",从而形成了有别于传统的习俗史地著作的,以城市市民生活为主流的笔记文学流派。Over years, Meng-hua＇s Record in Tokyo, classified into geographical category, is neglected from the literary perspective. In fact, Meng-hua＇s Record in Tokyo lies in the center in the development of literary sketches and it inherits the merits of sketch books of Han and Tang dynasties and begins the tradition of metropolitan description and that of everyday life of townspeople of Song and dynasties after Song. MENG Yuan-lao chooses to write about the common instead of ＂glossing over faults＂, creating ＂Meng-hua Style＂ which is written now in poem, and then in prose, and which is concise, clear, expressive, serious and humorous. It is different from traditional mainstream school of sketchbooks which is concerned with customs, historical place and centered on metropolitan life.

关 键 词：《东京梦华录》 市民 笔记文学 “梦华体” 

分 类 号：I207.419[文学—中国文学]