解构之后:重审当代文艺学的本体论问题  

Post-deconstruction: A Review of the Ontology of Contemporary Literature and Art

作　　者：李西建[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《陕西师范大学学报（哲学社会科学版）》2009年第1期47-52,共6页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：教育部人文社会科学研究一般项目(01JA750)

摘　　要：解构之后重审文艺学的本体论问题,是一个关乎中国文论建设的基础性工作,也是该学科研究的元命题。西方哲学对本体论的研究由来已久,并且一直成为传统哲学的主干和重要研究内容。20世纪后,西方哲学研究中虽有本体论解构现象的出现,但从解构之主张与后现代哲学的建设性意向看,人文学科领域中的本体论问题是无法抹去的。现代西方哲学中本体论研究的复兴,为重审文艺学本体论问题提供了有价值的哲学依据。当代中国文艺学价值体系的建设任重道远。A post-deconstruetion review of the ontology of literature and art is one of the primary issues of literary study, which concerns the basic construction of literary theory in China. As a permanent study, ontology has always been a major and important area of traditional philosophic study. Since the 20th century, although deconstruction of the ontology occurred in text philosophic studies, the issue of ontology study can by no means be neglected in the field of humanities in terms of the subject of deconstruction and the constructive tendency of post-modem philosophy. The revival of ontology study in modem Western philosophy offers a valuable ground for reviewing the ontology in literature and art.

关 键 词：当代文艺学 本体论 现代西方哲学 

分 类 号：I206.7[文学—中国文学]