为象征资本而战——从市场的角度看先锋派的逐新冲动  

Fight for Symbolic Capital:On the Avant-garde’s Pursuit of the New in terms of Market

作　　者：周韵[1] 

机构地区：[1]江苏教育学院外语系,江苏南京210093

出　　处：《湘潭大学学报（哲学社会科学版）》2009年第1期122-125,F0003,共5页Journal of Xiangtan University:Philosophy And Social Sciences

摘　　要：周计武文通过瓦蒂莫、尼采和海德格尔的哲学著作,重新思考了艺术终结与颓废现代性之间的关系,评价了颓废现代性对艺术机制和未来艺术生活的影响。杨向荣文从现代性体验这一视角出发,将齐美尔定位为现代生活的审美印象主义者,齐美尔的现代性分析起点不是社会总体,而是现实的偶然性碎片,这构成齐美尔独特的现代性分析路径——从碎片到达整体。李健文则借助于韦伯的文化社会学视野,依据工具理性批判的理论诉求、阿多诺等人对文化工业的本质及其特征进行了揭示和批判;认为这一批判并没有在法兰克福学派内部形成一个完整的理论统一体,这表明法兰克福学派在对待大众文化问题上存在着明显的差异。周韵文从布尔迪厄的文化生产场理论出发,对先锋派与市场的复杂关系进行再审视,强调先锋派的创新一方面包含对艺术商品化和制度化的批判和否定,另一方面它与市场运作原则也存在一致性。In Aesthetic Impressionism and Modernity Experience, we find that Simmel is called＇s aesthetic impressionism of modem life. The starting point of modernity analysis is not the totality of society, but the fragments of reality, which formed his unique moder- nity analysis route： from fragment to the totality. In End of Art and Decadence of Modernity, we reflect on the relationship between the end of art and the decadence of modernity in the work of several philosophers, including Gianni Vattimo, Friedrich W. Nietzsche, Martin Heidegger. We conclude with an assessment of the impact of decadent modernity on arts institutions and the future of artistic life. In Critique of Culture Industry reconsidered, from the cultural sociology of Max Weber and the theoretical purpose for critique of instrumental rationality, Adorno and others reveal the traits of culture industry in essence. But the critique of culture industry is not an integrated theory within the Frankfurt School. It indicates that the opinions of popular culture have clear differences between the theofists of Frankfurt School. In Fight for Symbolic Capital, based on Pierre Bourdieu＇ s theory of cultural production field, we intends to examine the complicated relationship between the avant - garde and art market, hying emphasis on the idea that the avant - garde ＇ s pursuit of the new, on the one hand is a critique of institutionalization of art by demonstrating a radically anti - market stance, on the other hand, is in correspondence with the operating principle of the market so that it becomes the powerful means for the avant - garde artists to accumulate symbolic capital in the market.

关 键 词：资本主义社会 市场价值 先锋派 象征 艺术商品化 艺术传统 布尔迪厄 道德立场 

分 类 号：G0[文化科学] D033.3[政治法律—政治学]