论六朝论文的骈化及其艺术得失  

A Study of Antithesising in and the Artistic Gain and Loss of Essays Produced in the Six Dynasties

作　　者：陈鹏[1] 

机构地区：[1]河南师范大学文学院,河南新乡453002

出　　处：《五邑大学学报（社会科学版）》2009年第1期66-70,共5页Journal of Wuyi University(Social Sciences Edition)

基　　金：河南省教育厅人文社会科学研究项目"六朝骈文的形式及其文化意蕴"(批号:2008-ZX-069)成果之一。

摘　　要：魏晋之际清谈的盛行对论文的发展起了很大的促进作用。萧梁时期是骈体论文发展的黄金时期。相对于南朝的繁荣,北朝的论文创作却极为贫乏,留存至今的论文寥寥无几。骈体论文因受声律和对偶等形式限制,要在逻辑论述上与散体角胜,常须借助排比句式,以疏通文气,增强说理的力度。The prevalence of pure discussions promoted the development of discoursal essays at the turn of the Wei and Jin Dynasties. The Liang Dynasty was the golden age of antithesis- style discoursal essays. In contrast to their flowering in the Southern Dynasties, the northern dynasties were very poor in the creation of discoursal essays. The antithesis--style discoursal essays, restricted by tonality and the form of antithesis, had to rely on parallel structures to add smoothness and reasoning strength in order to prevail over prose essays.

关 键 词：六朝 论文 骈化 艺术得失 

分 类 号：I206.2[文学—中国文学]