论六朝时期诗歌对骈文的影响  

On Influence of Poem on Parallel Prose in the Six Dynasties

作　　者：陈鹏[1] 

机构地区：[1]河南师范大学文学院,河南新乡453002

出　　处：《孝感学院学报》2009年第1期43-47,共5页JOURNAL OF XIAOGAN UNIVERSITY

基　　金：河南省教育厅人文社科研究项目(2008-ZX-069)

摘　　要：六朝是一个诗和骈文并存的时代,两者有着不可分割的联系。六朝骈文受五、七言诗歌的影响主要表现在大量运用五、七言诗句,突破四、六句式的限制,呈现出明显的诗化倾向。这使骈文的形式更为活泼,文气更为流畅,给骈文的发展带来了一些新变化。宫体诗的代表作家几乎囊括了齐、梁、陈三代的优秀文人。当这些写轻艳宫体诗的文人来创作骈文时,就不可避免地用轻浮华靡之体写雕琢绮艳之词。受宫体诗风的影响,六朝后期骈文中亦多哀思之音、绮靡之词。The six dynasties is a time when parallel prose and poem coexist. Parallel prose and poem have reciprocal effect for each other. Parallel prose uses more five-word and seven-word sentences under the influence of five character-line and seven-character-line verse, which makes the form of parallel prose more vivid and Wen Qi more flowing. It is noticeable that parallel prose didn＇t behave the poeticized inclination in Northern dynasties. The palace-type poems came into being in the Qi dynasty and thrive in the Liang dynasty. When palace-type poets wrote parallel prose, they couldn＇t avoid depicting sexual desire, woman＇s charm and splendid appearance.

关 键 词：句武 宫体 诗歌 骈文 

分 类 号：I207.22[文学—中国文学]