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作 者:李冶孜[1]
出 处:《衡阳师范学院学报》2009年第1期85-88,共4页Journal of Hengyang Normal University
摘 要:郁达夫的颓废表现为他对生活的憎恨。在他前期的生活中,郁达夫基本没有享受过成功,也没有真正体味过情感的滋润。留学回国后的1923年郁达夫在小说中突出了"零余者"形象,以把自己放逐在社会边缘来凸现自我、反对生活。郁达夫在作品中较多涉及自杀和疾病。他对人物自杀和疾病的设置体现了他对生活负面价值的认同,是以示弱来表达对生活的憎恨。Yu Dafu's decadence is expressed on his hatred of life. In his early years, he almost has no success, and is short of true love. In 1923, after his return from Japan, Yu exiled himself on the edge of the society to oppose the life. His works always involves suicides and diseases. With the establishment of the suicide and diseases of the figures, he showed negative values of life and then expressed his hatred of life by giving the impression of weakness.
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