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作 者:卫华[1]
机构地区:[1]湖南工业大学学报编辑部,湖南株洲412000
出 处:《衡阳师范学院学报》2009年第1期140-144,共5页Journal of Hengyang Normal University
摘 要:波希米亚艺术文化现象,在它的源发处与流浪在欧洲的吉普赛人有着精神上的密切关联。一方面,他们的流浪特性、瞬间意识、及时行乐观念、乃至他们的犯罪意识使他们成为最具有现代色彩的人群,对于困顿中的艺术家们是一种镜照、比拟;另一方面,来自古老东方地区的民族身份的神秘、来自底层社会的民间力量的特殊,对资产阶级社会知识分子们的审美观念有着全新启示。尤其是无需顾及资产阶级道德的个体自由观和城市空间的新视野的打开,前者使他们慢慢从艺术走向生活,后者让他们学会理解城市。正是在对吉普赛人和城市贫民生活及观念的比拟、借鉴和想象当中,"波希米亚"称号渐渐挪移为欧洲文人艺术家的绰号。Bohemian art and culture, have a close spiritual association with Europe's Gypsies. On the one hand, they are the most colorful wandering people of an instant sense of the concept fling in a timely manner, as well as their awareness of the crime. It is as a mirror of artists who are in the trouble. On the other hand, from Eastern region of ancient ethnic identity of the mysterious, and from the bottom of civil society, Bourgeois society of intellectuals have a completely new concept of aesthetic inspiration. In particular, there is no need to take into account the moral concept of Bourgeoisie, and a new vision of urban open space, so that they transfer slowly from the former art to life, and they will learn to understand the city. Because of the concept of analogy, the title "La Bohemia" for Gypsies becomes nickname of European literate artist.
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