试论中国现代陶艺的创作方向  

On the Direction of Modern Chinese Ceramic Art

作　　者：郑丰银 艾玉庭[2] 

机构地区：[1]景德镇高专 [2]景德镇陶瓷学院

出　　处：《雕塑》2009年第1期66-67,共2页Sculpture

摘　　要：中国现代陶艺从20世纪70年代末开始以来,也有了近30年的历史。但是在中国现代陶艺发展的坐标上,布满了西方陶瓷的参照物,所以,面对着中国现代陶艺繁荣的表面,仍不断暴露出捉襟见肘的难堪和尴尬。同时为了保持中国陶艺特有的民族性,不得不思考中国陶艺自身发展的空间和定位,以使中国陶艺创作得以健康有序地发展。Originated in the late 1970s,modern Chinese ceramic art has witnessed its nearly 30-year-old history. But on the development coordinate of modern Chinese ceramic art,Western ceramic references can be seen almost everywhere.So there is a continuing exposure of awkwardness and embarrassment coming out of its facile prosperity.At the same time,in order to maintain its special national identity,one has to rethink the scope and orientation of the development of modern Chinese ceramic art,so as to lead Chinese ceramic art to a healthier developmental order.

关 键 词：中国现代陶艺 发展 创作 

分 类 号：J527[艺术—艺术设计] I207.2[文学—中国文学]