论安·瓦尔德曼的表演诗歌  

On Anne Waldman’s Performance Poetry

作　　者：罗良功[1] 

机构地区：[1]华中师范大学外国语学院教授

出　　处：《外国文学研究》2009年第1期95-103,共9页Foreign Literature Studies

摘　　要：本文旨在系统考察当代美国著名表演诗人安·瓦尔德曼的表演诗歌。她的表演诗歌源于她的诗歌表演,又随着诗歌表演走向成熟。瓦尔德曼表演诗歌体现了突出的表演性,其口头表演特征同时也体现在诗歌的纸质文本中。作为一种诗歌样式,她的表演诗歌展示了一种"耗散结构"美学模式,同时表现了诗人强烈的女性主义观和以多元化为核心的社会文化理想。This essay is aimed at a systematical exploration to the performance poetry of Anne Waldman, a leading performance poet in contemporary America. Her performance poetry takes on a striking performative quality, which, in turn, is embodied in the text on page. As a poetic genre, her performance poetry demonstrates an aesthetic mode of ＂dissipative structure,＂ and as well the poet＇ s dynamic feminist view and her socio-cuhural ideal characterized by plurality.

关 键 词：安·瓦尔德曼 表演诗歌 诗歌表演 耗散结构 

分 类 号：I712.072[文学—其他各国文学]