论唐五代词向北宋词的演变历程——王国维“变伶工之词而为士大夫之词”之论的反思  

On the Evolution Process of Ci from Tang and Five Dynasties to North Song Dynasty

作　　者：木斋[1] 

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《四川大学学报（哲学社会科学版）》2009年第1期73-80,共8页Journal of Sichuan University：Philosophy and Social Science Edition

基　　金：国家社会科学基金后期资助项目<唐宋词体演进史>(06FZW008)

摘　　要：王国维认为,词至李后主"遂变伶工之词而为士大夫之词",但唐五代曲词与两宋词的本质区别,主要是宫廷词与士大夫词、市井词的不同。词体在唐五代时期,其主流始终在宫廷文化之中,李白的宫廷应制词、西蜀花间词、南唐词是此时期的三个标志;所谓民间词应该是中唐之后才发生的,真正实现这一转型的标志应为东坡词。Wang Guowei once commented that there was a transformation from Actors＇ ci to Literati＇ sci since Li Yu. This article, however, pointed out that the basic difference of ci between Tang and Song Dynasties was that of court ci and literati＇ s and even ci hymned in the streets. During the period of Tang and Five Dynasties, the mainstream was still inside the court culture. Li Bai＇s ci, Huajian＇ style, and ci in Southern Tang period were the three striking hallmarks. Folk ci did not come into being until after the Middle Tang Dynasty, and Shu Dongpo was the very figure who marked the real transformation.

关 键 词：唐五代 宫廷词 北宋 士大夫词 王国维 

分 类 号：I207.23[文学—中国文学]