冬婴诗歌创作的向度及意义  

The Dimension of Dong Ying’s Poem Creation and the Significance

作　　者：张江元[1] 

机构地区：[1]长江师范学院中文系,重庆408100

出　　处：《长江师范学院学报》2009年第1期49-52,58,共5页Journal of Yangtze Normal University

摘　　要：冬婴的第一部诗集《低处的风声》以自身真切的人生体验锤炼出诗性饱满的篇章,以坚韧的精神体现出诗歌创作的严肃性和对本质性命题的不懈探寻。他最初的诗歌创作以"乡土世界"作为精神家园进行城乡对立书写。这种书写模式的消解使其跨越"乡土世界"的"狭窄"和城乡对立的二元思维定势,以更开阔宏观的视野在新的生存空间开拓着诗歌更广阔的精神空间。冬婴的诗歌创作始终体现出的对诗歌本体的坚守和诗歌精神的追求,使诗人在"存在"的绝对真理与"在世"的社会正义中寻得双倍的力量,使诗歌寻找到不断发展的正确出路。The Sound of the Wind from Lowland is a poem collection which is about the poet＇ s own life experience. With his unyielding spirit, the poet expressed his seriousness of poem creation and his persistent exploration of essential proposition. His first poem creation took “rural world” as its spiritual homestead which was in opposition to urban life. The dissolution of this writing mode enabled him to transcend the dualistic thinking pattern, and opened up a broader spiritual space. His poem creation is an indication of his sticking fast to poem ontology and also an indication of his pursuit of poem spirit. This enabled the poet to get double powers of the “existent” absolute truth and “ surviving” social justice so as to seek the right route for consistent development of poem.

关 键 词：冬婴 城乡对立 超越 诗歌本体 诗歌精神 

分 类 号：I207.25[文学—中国文学]