从《生死场》看萧红小说的艺术风格  

On the Artistic Style of Xiao Hong's Novel from the Perspeetive of Life and Death Spot

作　　者：屈淑琼 

机构地区：[1]清远职业技术学院,广东清远511510

出　　处：《清远职业技术学院学报》2008年第1期111-114,共4页Journal of Qingyuan Polytechnic

摘　　要：萧红是一位有鲜明创作个性和独特艺术风格的现代女作家。她以自己悲剧性的人生感受和生命体验,观照她所熟悉的乡土社会的生命形态和生存境遇,揭露和批判国民性弱点,抒写着人的悲剧、女性的悲剧和普泛的人类生命的悲剧。她打破了传统小说单一的叙事模式,创造了一种介于小说、散文和诗之间的边缘文体,并以其独特的超常规语言、自传式叙事方法、散文化结构及诗化风格形成了别具一格的"萧红体"小说文体风格。Xiao Hong is a modem writer who has her own distinct personality and particular artistic style reflected in her composition. In her works, she reveals and animadverts on the weakness of the national character and describes the tragedy of human being, female and ordinary people, which is based on the feeling and experience of her own tragic life together with the life form and the living circumstances in the countryside she is familiar with. She creates a kind of marginalised literary style among novel, prose and poem, which comes to form the special ＂ Xiao Hong Novel Style＂ with its extraordinary language, autobiographical narrative ways, prosaic structure and poetry style.

关 键 词：萧红体 悲剧 体验 

分 类 号：I207.42[文学—中国文学]