从女性悲剧看《白鹿原》文化冲突的意义  

Looks at the Significance of Cultural Conflict of "Bailu Plain" through the Feminine Tragedy

作　　者：沈远川[1] 马筱蓉[1] 

机构地区：[1]重庆文理学院文学与传媒学院,重庆永川402160

出　　处：《重庆文理学院学报（社会科学版）》2009年第2期90-96,124,共8页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

摘　　要：《白鹿原》是一部具有深厚文化意蕴的历史小说巨著,小说以关中地区白鹿原为背景,真实地展示了从清末民初到20世纪40年代末近50年间中国封建传统文化与现代文明的剧烈冲突。小说中塑造了田小娥、兆鹏女人、白灵等悲剧女性形象,揭露了封建传统文化冷漠残酷、灭绝人性的一面。作者以他对旧时代女性生存状态和悲剧命运的深刻把握,在对封建传统文化弊害的深切反思中,呼唤现代文明的到来。The book of ＂Bailu Yuan＂ is a profound cultural implication history masterpiece. The novel shows the conflict between feudal China＇s traditional culture and modem civilization from the late Qing Dynasty to the late 1940s nearly 50 years The novel＇s background is Bailuyuan of Guanzhong region. In this novel the author shape the tragic women .image, such as Tianxiao E, Zhao Peng＇s wife, Bai Ling, and so on. And he also exposed the cruel and indifferent feudal traditional culture. The author criticized the crime of the traditional culture, called for the awakening of the fault of feudalism traditional culture deeply, and summon the arrival of modem civilization, has the profound influence to construct those contemporary culture.

关 键 词：白鹿原 女性悲剧 文化冲突 人性 

分 类 号：I207.425[文学—中国文学]