四川绵阳碧水寺唐代摩崖造像调查  

Survey of the Tang Cliff Buddhist Sculpture of Bishuisi Temple in Mianyang City,Sichuan

作　　者：于春[1,2,3] 王婷 卢丁[1,2,3] 钟治[1,2,3] 李生 王静 杨红武[1,2,3] 毕瑞 罗春晓 师若予[1,2,3] 曾玲玲[1,2,3] 杨伟 

机构地区：[1]四川省文物考古研究院 [2]四川大学艺术学院 [3]绵阳市文物局

出　　处：《文物》2009年第2期57-78,F0003,共23页Cultural Relics

摘　　要：2007年11月,四川省文物考古研究院等单位联合对绵阳市涪江东岸的碧水寺摩崖造像进行调查。此处摩崖石刻共有25龛,包括阿弥陀佛与五十二菩萨、鸠摩罗什译《金刚般若波罗密经》等内容。其中有些造像具有唐初期"长安样式"特点,可能为唐贞观年间令狐氏所凿。特别是第19龛阿弥陀佛与五十二菩萨造像,带有印度、西域尉迟氏风格绘画的佛教图像特征,与唐早期日本法隆寺金堂6号壁画较为相似,为唐初佛教美术研究和东西佛教文化交流研究提供了新的资料。In November 2007, a collaborative survey was conducted to gather information of the cliff Buddhist sculpture on eastern riverside of Fu River in Mianyang City, Sichuan Province. There are twenty five niches on the cliff, the carvings include Amitabha and fifty-two Bodhisattvas, Diamond Sutra （Kumarajiva＇s translation）, and so forth. Style of some sculptures looks like the Chang＇an Style of Early Tang. So these sculptures should be carved in the Zhenguan reign （A.D. 627 - 649） by the family Linghu. In the nineteenth niche, the Amitabha and fifty-two Bodhisattvas reveal some Indian and western regions＇ characteristics, just like the Early Tang mural paintings in Horyuji Temple of Japan. So the sculptures provide new information to study of early Tang Buddhist art, and Buddhist cultural exchanging between east and west.

关 键 词：摩崖造像 四川盆地 绵阳市 文物保护单位 唐代 成都平原 游仙区 四川省 

分 类 号：K879.2[历史地理—考古学及博物馆学]