论六朝书牍文的骈化及其艺术得失  

Research on Antithesissing and Artistic Gain and Loss of Epistolary Writing in Six Dynasties

作　　者：陈鹏[1] 

机构地区：[1]河南师范大学文学院,河南新乡453002

出　　处：《三明学院学报》2009年第1期65-68,共4页Journal of Sanming University

基　　金：河南省教育厅人文社会科学研究项目(2008-ZX-069)

摘　　要：两汉书牍文已成为私人交往的一种独立文体。受时代风气的影响,曹魏文人的书牍文逐步骈化。此后,虽然越来越多的文人用骈体写书牍文,但散体书牍仍然占有一定的比例。北魏早期的统治者汉化程度很低,自然不利于书牍文的发展。北朝后期已出现较多的骈体书牍。六朝骈体书牍文主要有两类风格,一类悲凉沉郁,一类潇洒自然。The epistolary writing has become one independent genre for private association in Han dynasty and been antithesissed under the influence of social atmosphere in Wei dynasty. Afterwards, more and more literati indite antitheses epistolary writing, but the prosaic still holds a certain proportion. The rulers of early Wei Dynasty have little cultural qualifies, which isn＇t propitious for the development of epistolary writing. There are more antitheses epistolary writings in later Northern dynasty. The antitheses epistolary writing mainly has two kinds of style： one kind is sad and contemplative, the other is degage and natural.

关 键 词：书牍文 骈化 艺术得失 六朝 

分 类 号：I207.62[文学—中国文学]