人面鸟喙雕像意义的探索  

Exploring the meanings behind the human-face Sculpture with a bird-peck

作　　者：黄尚明[1] 

机构地区：[1]华中师范大学楚学研究所副教授,湖北武汉430071

出　　处：《江汉考古》2009年第1期88-91,共4页Jianghan Archaeology

基　　金：教育部人文社会科学项目“先秦时期三峡地区的文化变迁”研究成果(07JA780002)

摘　　要：江西新干大洋洲晚商大墓和湖北荆州天星观战国中期二号墓各自出土了一件人面鸟喙雕像,根据《山海经》及民族学等方面的有关证据,笔者认为他们是苗民的祖先神驩头(亦写作"兜")。A human-face sculpture with a bird-peck were unearthed from the tomb of late Shang Dynasty at Dayangzhou, Xin＇gan County, Jiangxi and the No. 2 tomb of the middle Warring States Period at Tianxingguan in Jingzhou County, Hubei, respectively. Based on text analyses of Shanhaijing （山海经） and ethnographic evidence, this study suggest that the artwork reflects the images ofhuantou （驩头）, the ancestor God of Miao ethnic group.

关 键 词：人面鸟喙雕像 三苗 驩头 

分 类 号：K879.3[历史地理—考古学及博物馆学]