自由低音手风琴复调音乐作品的风箱探索与运用——《恰空》舞曲的风箱设计与实践  

Free Bass Accordion Duplicate Accent Music Work Bellower Exploration and Utilization——"Chaconne" Dance Music Bellower Design and Practice

作　　者：何艳[1] 

机构地区：[1]山东教育学院音乐系,山东济南250013

出　　处：《山东教育学院学报》2009年第1期92-95,共4页Journal of Shandong Education Institute

摘　　要：自由低音手风琴作为年轻的键盘乐器,在演奏复调音乐方面有着独特的优势与魅力。本文从自由低音手风琴的演奏机制出发,探讨复调音乐作品《恰空》舞曲的风箱设计与运用,旨在提高演奏者的风箱驾驭能力与综合音乐能力。The free bass accordion took the young keyboard instrument, is playing the duplicate accent music aspect to have the unique superiority and the charm. This article embarks from the free bass accordion performance mechanism, discusses the duplicate accent music work ＂Exactly Spatial＂ the dance music bellower utilization and the design, is for the purpose of sharpening performer＇s bellower control ability and comprehensive music ability.

关 键 词：自由低音手风琴 复调音乐 恰空 风箱 

分 类 号：J62[艺术—音乐]