晚清大众传媒的社会导向——以《点石斋画报》中“祥异事件”为分析对象  

The Social Guidance of Mass Media in the Late Qing Dynasty——"Auspicious and Evil Events" from Dian Stone Studio Pictorial as an Analysis Object

作　　者：小田[1] 

机构地区：[1]苏州科技学院历史与社会学系,江苏苏州215009

出　　处：《河北学刊》2009年第2期90-95,共6页Hebei Academic Journal

摘　　要："祥异事件"在《点石斋画报》中占据相当大的篇幅。撇开事件的历史真实性,专注于事件传播者的社会导向性,不难发现:所谓"异兆"不过是"天人感应"的民间表达方式,《点石斋画报》因势利导,意欲在民间世界构建起与精英社会相通的自然认识论,并使之成为其他社会导向的依据;《点石斋画报》着意强调"异兆"中的凶兆,视之为社会罪愆的征兆,慨叹世道之陵夷、人心之陷溺,意在影响人们的时代认识,同时又以预示性吉兆粉饰太平世相,暗示皇权存在的合理性;《点石斋画报》喋喋不休于"异兆"的因果示戒之功,力图左右世人的人格取向并使之付诸生活实践。整体暗合于"祥异事件"中的命运观表达,让人们明显感受到《点石斋画报》浓重的传统底色及其沉重的现代步履。There are a lot of ＂Auspicious and Evil Events＂ in Dian Stone Studio Pictorial. Ignoring histor- ical truth of these events, their social guidance is centered on. Evil omens are an expressive way of inter- action between heaven and man, but this Pictorial is intended to form a natural epistemology communica- ting to the social elites among the people, thus making it a basis for social guidance. In the meantime, auspices are used to decorate the peace and indicate the rationality of imperial powers. These events try their best to control people＇ s character and put it into practice. As a whole, they indicate the opinion of people＇ s fate, so this Pictorial gives us a feeling of traditional color and heavy modem steps.

关 键 词：“祥异事件” 《点石斋画报》 社会导向 

分 类 号：K207[历史地理—历史学]