《道连·葛雷的画像》中美与灵魂之关系  

The Relationship between Beauty and Psyche in The Portrait of Dorian Gray

作　　者：王藜[1] 

机构地区：[1]新疆师范大学外国语学院,新疆乌鲁木齐830054

出　　处：《新疆师范大学学报（哲学社会科学版）》2009年第1期135-138,共4页Journal of Xinjiang Normal University(Philosophy and Social Sciences)

摘　　要：灵与肉、美与丑的搏杀是文学永恒的主题,为了物欲的满足而不惜出卖灵魂在生活中亦不鲜见。王尔德虽力图证明美高于一切,美是时间无法伤害的,艺术家不应有道德同情心。然而,就接受美学的理论而言,文本具有不确定性,一部作品的完成是经过读者和作家共同创作来实现的,也就是通过读者的阅读使文本具体化。文章应用这一理论阐释《道连·葛雷的画像》中美与灵魂对立与不可分割之关系。The dichotomy of Psyche and flesh, beauty and ugliness is an eternal theme in the history of literature. It＇s not rare for people to sell their soul in order to meet their needs for materials in daily life. What Osear Wilde wants to prove is that beauty is above everything, beauty cannot be harmed by time, artists shouldn＇t show their sympathy in the art. However, according to the theory of the Reader-Response Criticism, the meaning of the text of any literary work could not be recognized except after the reading of the reader. This article tries to expound that the relationship between beauty and psyche is contradictory and inseparable in The Portrait of Dorian Gray.

关 键 词：灵魂 美 关系 

分 类 号：I106.4[文学—世界文学]