晋系风土建筑彩画——五台山佛寺五彩画概述  

Vernacular Decorative Paintings of Shanxi Genres:Full Colored Painting in Buddhism Temples on Wutai Mount

作　　者：张昕[1] 陈捷[2] 

机构地区：[1]北京工业大学建筑与城市规划学院世界文化遗产保护研究中心,讲师100021 [2]同济大学建筑与城市规划学院

出　　处：《华中建筑》2009年第3期238-242,共5页Huazhong Architecture

摘　　要：该文以晋系风土建筑彩画中典型的五彩画为对象,首先从历史背景入手,归纳出源于宗教、官方与民间的影响因素;其次从神圣性、世俗性、延续性等表现形式出发,结合实例探讨了五彩画的分类、图案、色彩及构图特征;最后以发展前景为中心,分析了风土彩画物质与非物质的双重属性及其研究的重要意义,并展望了风土彩画与风土建筑遗产的整体保护与发展方向。With the study object of the full colored painting, a typical kind of vernacular decorative paintings of Shanxi genres, this article first induces contributing factors of religion, government and public under its historical background, then, discusses its classification, pattern, color and composition from the expression forms of sanctity, secularity and continuity. Finally, it analyzes the tangible and intangible attributes of vernacular decorative paintings and the significance of the research, and prospects the orientation of the overall conservation and development of vernacular decorative paintings and vernacular architectural heritages.

关 键 词：风土建筑 彩画 晋系 佛寺 五台山 五彩画 

分 类 号：TU-851[艺术—艺术设计]