雕塑艺术形式语言之我见  

My Opinion on the Form Language of Sculpture Art

作　　者：钱绍武 

出　　处：《雕塑》2004年第1期4-5,共2页Sculpture

摘　　要：本次论坛对于形式感问题,大家都提出了各种各样的新看法,但是无论什么样的形式,都有着共同的特征,那就是生命力。众所周知,亨利·摩尔的作品是非常抽象的,但是他仍强调他的作品是表现“人性”与“生命力”的。那么作为人类的艺术,表现宇宙生命的力量,必然会增加生命的毅力与张力,不管是有无意识的。The form and structure of sculpture, which is the incarnation of tensility, can be classified into two pans: one is mode, the other is arrangement of relation.Cognized from scientific aspect, some of objective reality objects have life, others don't have. For any live object, a space, containing it, should be extruded in the peaceful atmosphere pressure layers. Therefore, this form and structure is inevitable to be round or close to roundness in their externality and forms. Natural lives should form in natural space, then it's consequent to be round and each space is a saturated roundness. The size of roundness is its energy, life and tensility. Hence, roundness, scientific and objective, can represent the basic forms of lives and energy formation.But how could formal feeling be embodied? Hi-sensitivity should be exercised from countless changes. What's the most important to obey the formal regular itself is to show the features of lives. It couldn't become art only starting out from the regulars of geometry objects, while opening of the interior characters from specific feelings can create inexhaustible force.Art with no era, only reaching a certain height, is sincere and always the humankind's brilliance, making human moved. Because humankind feelings are closely linked with. Art has no era limitation or international standards. All forms are humankind's feelings in the final analysis.

关 键 词：形式语言 雕塑艺术 “生命力” 生命体 形式感 亨利·摩尔 形式规律 基本形式 宇宙生命 艺术家 

分 类 号：J304[艺术—美术]