对闵惠芬“器乐演奏声腔化”的思考与认识  

Cognition of Min Huifen's 'Instrument Playing Vocal Tune' with Considers

作　　者：胡志平[1] 

机构地区：[1]武汉音乐学院副院长,武汉430060

出　　处：《黄钟（武汉音乐学院学报）》2009年第2期164-168,共5页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要："器乐演奏声腔化"是闵惠芬先生从1975年至今在二胡演奏艺术领域探索实践的一个重要课题。数十年来,她从学习演奏不同风格、不同特点的戏曲、说唱、民歌和器乐乐种到移植改编和融会贯通,始终贯穿着一个从学习实践到创新实践的过程。文章主要从命题的提出、命题的实践、命题在当代二胡艺术发展中所具有的内涵和意义谈一些思考和认识。The ＂Instrument Playing Vocal Tune＂ has been an important task for Min Huifen exploring the practice of erhu performance since 1975. More than decades, she learnt to performance the Chinese traditional operas, speaking-singing, folk songs and other Chinese traditional instruments with different features and in various styles, adapt-transcribe them for erhu performance, which was a practice process from studying to creating. Around ＂Instrument Playing Vocal Tune＂, the paper expressed the author＇s cognition and consider proposition both of the proposed and practiced, as well as its significance in erhu art development at present.

关 键 词：闵惠芬 二胡演奏 声腔化 移植改编 

分 类 号：J632.21[艺术—音乐]