沦陷语境中的民族意识——编辑者对《中国文艺》影响的考察  

National Consciousness in the Enemy-occupied Area's Context——Editors'Investigation into the Influence of Chinese Literary Arts

作　　者：冯昊[1] 史育婷[2] 

机构地区：[1]江西师范大学文学院,江西南昌330022 [2]江西师范大学外国语学院,江西南昌330022

出　　处：《江西师范大学学报（哲学社会科学版）》2009年第1期67-75,共9页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：江西省社会科学"十一五"规划项目(项目编号为:06WX43)<沦陷区文学研究>;教育部人文社会科学研究青年基金项目(项目编号为:07JC751011)<租界体验与中国现代小说创作>

摘　　要：《中国文艺》是华北沦陷区具有"日伪"背景的一份重要的文艺期刊,由于几任编辑的共同努力,通过栏目设置、内容甄选等手段以及其他编辑技巧,大力在期刊上推广中国文化,流露出深沉的民族意识。从刊物的内容来看,《中国文艺》的编辑们还是坚守住作为中国人所应具有的良知,他们以事实为语言,阐明了他们在逆境中坚守民族文化的立场。Chinese Literary Arts is an important literary periodical which was printed while the North China was occupied by enemy and Japan and the puppet regime came into power. By setting up columns, selecting appropriate contents and other editing techniques, editors spread Chinese culture greatly in the literary periodical , demonstrated profound national consciousness. From the contents of Chinese Literary Arts , we can see that editors had done their best to show their conscience as Chinese people, by telling the truth the editors clarified their standpoint of protecting national culture in such an adversity.

关 键 词：《中国文艺》 民族意识 编辑 沦陷区 

分 类 号：I206.6[文学—中国文学]