前现代梦魇中的市民空间——论鲁迅小说的城市书写  

Pre-modern Nightmare of Public Space——On the Urban Writing in Lu Xun's Novels

作　　者：王传习[1] 

机构地区：[1]上海师范大学人文与传播学院,上海200234

出　　处：《贵州师范大学学报（社会科学版）》2009年第2期96-101,共6页Journal of Guizhou Normal University(Social Sciences)

摘　　要：除了乡土世界,鲁迅小说中还存在一个由"S城"、"京城"及无名城市所构成的空间谱系,涵盖了市镇、城市、都市等不同类型和多元的书写方式,鲁迅惯于描绘远离现代文明的本土城市,不挟带地域文化色彩,拒绝根据现实原型进行城市写真。其文化内涵在于,祛除城市魅影,聚焦底层社会,揭示出欲望压抑、道德困境、看客心理等等城市精神状况,在20世纪中国文学形形色色的城市书写模式中独树一帜。There＇s still a space pedigree posed by ＂S City,＂ ＂Beijing＂ and the unnamed cities in Lu Xun＇s novels besides the native world, which covers different types of urban space and multicultural narratives. Lu Xun was used to describing the native city far away from modem civilization, not taking the geographical culture, and refusing to carry out an urban prototype based on realities. The cultural connotation lies in focusing on poor citizens, revealing their suppressed desire, moral dilemma, and the spirit of city spectator. So Lu Xun has created a unique one among various city written paradigms in the 20th century Chinese literature.

关 键 词：城市书写 欲望压抑 道德危机 市民心理 

分 类 号：I206[文学—中国文学]