论绝版水印木刻在中国创作木版画中的优势  

Advantage of the Destroyable Watermark Woodcarving for the Chinese Creative Woodcarving

作　　者：李俊华[1] 张海欧[1] 

机构地区：[1]曲靖师范学院美术学院,云南曲靖655011

出　　处：《曲靖师范学院学报》2009年第2期100-102,共3页Journal of Qujing Normal University

摘　　要：水印木刻是中国传统木版画的基本技法,作为复制中国画的重要手段,其艺术风格与中国传统绘画风格相一致。绝版水印木刻技法,既继承了中国传统水印木刻的艺术特点与技巧,又融入了绝版木刻的技法特点,使画、刻同为一人的版画家节省创作周期,提高版画作品的创造性,在创作型的版画中占有明显的优势。Watermark woodcarving is the basic technique of the Chinese traditional woodcarving. As an important method of copying Chinese drawings, it shares the same art style with the Chinese drawings. The destroyable watermark woodcarving at one hand inherits the art characteristics and technique of the Chinese traditional watermark woodcarving, on the other hand, it also has the drawing character of destroyable watermark woodcarving. Woodcarving painter who has both the drawing and carving ability can be more creative and accomplish more pictures in a shorter period of time, which could enable him to enjoy an advantage in his job.

关 键 词：水印 绝版木刻 创作 优势 

分 类 号：J314.2[艺术—美术]