迟子建小说中童年母题的外在表现形式及其文化内涵  

On the External Manifestation and the Cultural Connotation of the Childhood Motif in Chi Zi-jian's Novels

作　　者：刘春玲[1] 

机构地区：[1]大庆师范学院,黑龙江大庆163712

出　　处：《牡丹江师范学院学报（社会科学版）》2009年第2期44-46,共3页Journal of Mudanjiang Normal University(Social Sciences Edition)

摘　　要：从迟子建小说中可以看出,她的童年经验无处不在,因此童年母题的运用是迟子建小说中最富有特色的叙事模式。迟子建笔下的自然万物都充满了灵性与生命活力,动物也被她赋予了人类情感和人性内涵。迟子建小说中自然与儿童的物人交感折射出迟子建的童心和对自然的热爱,是其小说中童年母题的外在表现形式。It is easy concluded that Chi Zi--jian＇s childhood is everywhere from her novels. Therefore, the application of childhood motif is the most characteristic narration mode. Every creature is endowed with intelligence and vigor as well as human feelings and connotation. The interaction between children and nature, which is the external manifestation of childhood motif, reflects her childlike innocence and love of nature.

关 键 词：迟子建 童年母题 文化内涵 叙事模式 

分 类 号：I247.5[文学—中国文学]