古代骈文与骈偶理论的文学史价值  

On Value of Literature History of the Ancient Pian Wen and Pian Ou Theory

作　　者：莫道才[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《广西师范大学学报（哲学社会科学版）》2009年第2期20-25,共6页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目"骈文学史研究"(05BZW034)

摘　　要：骈偶理论是古代文学理论的重要部分。古代骈偶理论是对中国文学创作实践的总结,是成熟而系统的形式理论。古代骈偶理论反映了中国文化审美意识的成熟。它是中国文学崇尚文字对偶技巧的审美意识的总结,代表了中国文化崇尚平衡和谐的古典哲学思想。骈偶理论反映了古代文学重典雅、尚对称、追求气韵节奏的审美追求,反映了古代文学对规则范式的认同,是最有中国特色的文学理论。古代骈偶理论对中国文学的艺术发展产生了重要作用。古代文学理论研究对古代骈偶理论的忽视和低估,影响了对古代文学的全面认识和评价,也使古代文学理论遗漏了一个重要内容,使得最具有中国文化特色的骈偶理论长期得不到重视。Pian Ou theory is the important part of ancient literature theoy. Ancient Plan Ou theory, the mature and systematic theory, was the summary of the practice made by Chinese literature creation. The ancient Plan Ou theory with Chinese characteristics has reflected that the ancient literature approved to the regular model. Furthermore, ancient Pian Ou theory has had the vital role to the development of Chinese literature art. But the ancient literature theory researchers neglected and underestimated the ancient Pian Ou, which has affected the overall understanding and evaluation of the ancient literature and made the ancient literature theory omit an important content too.

关 键 词：骈文 骈偶 骈偶理论 文学史 

分 类 号：I206.2[文学—中国文学]