《诗经》——中国古典现实主义之滥觞  

The Book of Songs: Source of the China Classical Realism

作　　者：章可敦[1] 

机构地区：[1]台州学院教育学院,浙江临海317000

出　　处：《青海师专学报》2009年第2期18-21,共4页Journal of Qinghai Junior Teachers' College

摘　　要：由于古代中国和古希腊进入文明的途径不同,造成了这一时期的文学观念和文学形态的各异。中原地区低下的劳动生产力和封闭的农业经济,孕育着古典现实主义——《诗经》的诞生。由于宗法社会秩序和宗法思想的约束,使《诗经》表现出强烈的实用功利性和政治功利性,成为宗法观念有力的载体和礼治统治的辅助工具,也成为中国古典现实主义的滥觞。They were different ways to develop their civilization between the ancient China and the ancient Greece, which had resuited in respectively different literature ideas and styles in this time. The low labor productivity and the close agricultural economy in the south of Yellow River gestated Classical realism and at last gave birth to the Book of Songs. Because of the restraints of the patriarchal society system and the elanlaw thought, the Book of Songs represented intensely pragmatism and political utilitarianism, and became a effective carrier of the clanlaw idea and a auxiliary mean of governing by ritual.

关 键 词：诗经 古典现实主义 滥觞 

分 类 号：I206[文学—中国文学]