论曲式结构中的再现部  

On the Reconstruction Part of Form Structure

作　　者：续萍[1] 

机构地区：[1]甘肃联合大学艺术学院,甘肃兰州730070

出　　处：《陇东学院学报》2009年第3期126-128,共3页Journal of Longdong University

摘　　要：音乐结构中的"三部性"思维,即音乐表现中的乐思呈示、对比和再现,几乎成为音乐发展逻辑中的最佳运动模式,其中再现部分处于非常重要而特殊的核心地位,而多样化的再现部则缘于作曲家特定的构思和创作手法。＂The three parts＂ thought in musical structure, that is, music contemplate, comparison and reconstruction, almost becomes the best motion model in the logic of music development. The reconstruction part lies in a very important, special and central position. The various reconstruction part is due to the particular conception and creation technique of the composer.

关 键 词：曲式 三部性原则 再现 动力性 

分 类 号：J60[艺术—音乐]