清代词学批评视野中的词气论  

The Category of "Qi" in Ci-Poetry Study in the Qing Dynasty

作　　者：胡建次[1] 

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《中南民族大学学报（人文社会科学版）》2009年第3期157-161,共5页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：国家社会科学基金项目"中国古代文论承传研究"(07cwz001);山东省博士后创新项目"中国古代文学理论批评专题承传研究"(200702037)

摘　　要：清代词学批评视野中的词气论,主要体现在三个方面:一是对"气"作为词作审美之本的标树,二是对词气审美表现特征的探讨,三是从词的创造角度对"气"的多方面考察。从这三方面展开的词气之论,使古典词气论在多维面上得到了拓展、充实与深化。The discussion of category of ＂Qi＂ in Ci-poetry eyesight of the Qing Dynasty, is mainly embodied in three aspects： the first is the praising ＂Qi＂ as the Ci-poetry aesthetic root, the second is probing its aesthetic expressional characteristic, the third is inspecting its creating. The above-mentioned three aspects, expand the Ci-poetry ＂Qi＂ theory, develop, promote and deepen the classical Ci-poetry ＂Qi＂ theory on the many aspects.

关 键 词：清代词学 词气论 本质标树 创造考察 

分 类 号：I207.23[文学—中国文学]