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作 者:骆新泉[1]
出 处:《淮南师范学院学报》2009年第1期69-72,共4页Journal of Huainan Normal University
摘 要:两宋男性词人的悼亡词充满了生者对死者的深切悼念,情真意切,感人至深。但在深悲巨痛的笼罩下,因悼亡对象的不同而导致了男性词人情感指向的不同:悼念亡妻,庄重严肃,多写勤劳贤惠恩爱,不涉美色歌舞诗赋;悼念亡妾,亦庄亦"色",时涉美色歌舞诗赋,间写恩爱勤劳贤惠;悼念亡妓,声色并重,既写美色歌舞诗赋,又涉阳台"云雨"情事。Mournful poetry, written by male poet living in North and South dynasty, was full of grievous mourning to the dead. Through the poetry, it was conveyed true feeling and was left moving impression to readers. However, under the same background of feeling of grief. It is distinctive of emotional expression by male poet, according to different mourning to the deceased. To mourn the dead wife, the character of expression would be solemn, and the content would be written more about the deceased wife's diligence and virtuousness, without content of writing about her beauty, dancing or poem; To mourn the deceased concubine, the content would be direct written about her beauty, and also expressed her diligence and virtuousness in indirect way; To mourn the deceased geisha, the content would be emphasized both her beauty and the love stories.
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