从滑稽之雄到偷桃大仙:古代小说戏曲中的东方朔  

From King of Humorist to Stealing Peach Supernatural Being:DongFang Shuo in ancient novels and theatres

作　　者：李江峰[1] 

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《兰州交通大学学报》2009年第2期14-18,共5页Journal of Lanzhou Jiaotong University

摘　　要：古典小说戏曲中的东方朔形象,经历了从人到神的演变,其演变历程大致可分为三个阶段:《东方朔别传》阶段。这是东方朔形象的初步虚化时期,以《东方朔别传》的形成与流传为标志。《汉武故事》、《汉武帝内传》阶段。这一时期的东方朔已由人臣一变而为神仙,成为仙话中的人物,其故事也变得荒诞离奇起来。《偷桃捉住东方朔》阶段。这一时期东方朔的形象出现了较大突破,充满了叛逆精神,故事生动丰富,情节曲折。Image of DongFang Shuo in ancient novels and theatres goes through the transformation from man to supernatural being. His transformation divides broadly into three phases： the first phase, Supplementary Biography of DongFang Shuo, during which his image began to be imaginative and its symbol are formation and dissemination of Supplementary Biography of DongFang Shuo ; the second phase, Hanwu Emperor Stories and Biography of Hanwu Emperor, at which DongFang Shuo came into supernatural being from man and thus became the character in fairy stories, stories about him became absurd and fantastic; the third phase,Caught Stealing Peach ：DongFang Shuo. His image, full of treachery, took on great breakthrough at this phase. Stories about him are vivid and complicated.

关 键 词：东方朔 诙谐 叛逆 

分 类 号：I206[文学—中国文学]