艺术人类学的阐释路径  

An Approach of Interpretation of Artistic Anthropology

作　　者：吴晓[1] 

机构地区：[1]吉首大学文学院,湖南吉首41600

出　　处：《北方民族大学学报（哲学社会科学版）》2009年第3期105-108,共4页Journal of North Minzu University(Philosophy and Social Science)

基　　金：教育部人文社科规划项目"旅游语境中湘西民间艺术发展的人类学研究"(08JC850002);湖南省教育厅社科项目"旅游语境中湘西民间艺术发展的人类学研究"(08C672)

摘　　要：在对艺术现象展开具体理论言说时,艺术人类学的阐释路径主要呈现出三个基本环节:遵循文化人类学田野方法,参与实践至具体的艺术活动中去,获得直接而完整的审美体验和生活知识;基于文化整体观,对艺术生态作出全面的语境性把握,从而探究艺术活动的文化逻辑和生活特征;以艺术民族志的形式,在关注艺术现象的细节和场景中,使得具体艺术现象得以综合把握和书写。艺术人类学的现实介入力和问题阐发力因此而得到有效实践和彰显。When talk about specific theories of artistic phenomenon, there are three basic links for the interpretation approaches of artistic anthropology： following the fieldwork methodology of circular cultural anthropology, participating practice to specific artistic activities, and acquiring direct and complete aesthetic experience and knowledge about life. Based on holistic view of culture, it is suggested to have a complete contextual control of artistic ecology so as to explore cultural logic and features of life ; have a comprehensive control and writing of specific artistic phenomenon in the form of artistic ethnography taking care of details and scenes of artistic phenomenon. Therefore, the meddling force and problem interpretation force of artistic anthropology can be effectively practiced and shown.

关 键 词：艺术人类学 艺术活动 艺术生态 民族志 

分 类 号：G912.4[文化科学]