从西方悲剧理论看《汉宫秋》的悲剧性  

The Tragedy of the ＂Autumn in the Palace of Han＂

作　　者：梁琨[1] LIANG Kun （School of Literary History, Northwest Normal University, Lanzhou 730000, China）

机构地区：[1]西北师范大学文史学院,甘肃兰州730000

出　　处：《新乡学院学报（社会科学版）》2009年第2期130-132,共3页Journal of Xinxiang Teachers College

摘　　要：《汉宫秋》位列元杂剧四大悲剧之一,是我国古代戏剧中的一部著名悲剧。但由于中西悲剧理论观念的不同,很多中国的悲剧在西方人的眼中并非悲剧。从悲剧题材与人物设置、悲剧的情感结构、悲剧的结局及悲剧的表达方式四方面来具体探讨《汉宫秋》的悲剧性,借以突出中国古典悲剧的民族特色。Han Gong Qiu＂ is one of the four major tragedies of Yuan Dynasty, is a well-known tragedy of the ancient Chinese drama. In the eyes of the Chinese people, obvious it is a tragedy. However, due to different tragedy features between Chinese and Western theories, many of China＇s tragedies are not recognized in the West, what is called ＂non-Chinese tragedy.＂This article explores the tragic characteristics of ＂Han Gong Qiu＂from the tragic material and characters, the emotional structure of the tragedy, the ending of the trgedy and the expression of the tragedy in order to present the national characteristics of ancient Chinese erama.

关 键 词：西方悲剧理论 《汉宫秋》 悲剧性 

分 类 号：I106.4[文学—世界文学]