元代题画词初探  

Research on Ci-poetry in Paintings of Yuan Dynasty

作　　者：张若兰[1,2] 

机构地区：[1]大理学院文学院讲师 [2]中国社会科学院研究生院文学系2008届毕业博士

出　　处：《中国社会科学院研究生院学报》2009年第3期99-103,共5页Journal of Graduate School of Chinese Academy of Social Sciences

摘　　要：元代题画词不仅数量可观,而且自具特征:不仅继承发展了前代为数不多的题画作品的既有特征和成就,还在词画关系方面有了值得关注的新变,不论是非题画性质和功能的空前强化,还是词与画之间的循环互动等情况的出现,都凸现了鲜明的文人特色。与此相关,元代题画词具有地域和作品的集中倾向,这对元代后期江浙文人群体的交流和整合有一定的影响。元代题画词的文人特色的强化与元代画作的文人化相呼应,文人画的兴盛从题材、风格等各方面提供了题画词新变的土壤。The ci-poetry in paintings of Yuan Dynasty had a noticeable numbers as well as some outstanding characters. They not only inherited and developed the characters which had founded before, but also let in some fresh air and made grateful changes that protruded vivid character of literati. In this connection, the el-poetry in paintings had a concentration tendency in space and works, which strongly influenced the communication and conformity of the literati in Jiang Su and Zhe Jiang Provinces. The ci-poetry in paintings got more literary characters along with the paintings＇ literalizing development, and the blooming of literalized paintings supplied soil for the changes of the ci-poetry in paintings in different aspects.

关 键 词：元代 题画 词 

分 类 号：I207.23[文学—中国文学]