从“同路人”到“第三种人”——论1930年代左翼文化对现代派群体的影响  

From "Fellow Travelers" to "Third Persons"——The Left-wing Culture's Influence on Modernist Groups in the 1930s

作　　者：李洪华[1] 

机构地区：[1]南昌大学人文学院中文系,江西南昌330031

出　　处：《南昌大学学报（人文社会科学版）》2009年第3期122-127,共6页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：江西省社会科学研究"十一五"规划2008年度项目"中国现代派文学与现代都市文化关系研究"(08WX39)

摘　　要：1920年代末至30年代,施蛰存、戴望舒、杜衡、穆时英、刘呐鸥等现代派群体深受左翼文化的影响,一度倾向革命,热衷普罗文学,成为左翼的"同路人"。然而,随着左翼文化运动的深入,现代派群体从"同路人"转向了"第三种人",他们提倡文艺自由的文学主张遭到了左翼阵营的批判,从而陷入了左翼文化影响的焦虑。In the late 1920s and the 30s, the modernist groups such as Shi Zhecun, Dai Wangshu, Du Heng, Mu Shiying, Liu Na＇ ou, influenced by the left -wing culture, were inclined to revolution, keen to the general literature, and became left - wing ＂fellow travelers＂. However, with the development of the left - wing culture, they turned ＂fellow travelers＂ to ＂third persons＂, who advocated freedom of literary art. They were critical of left - wing camp, which fell into a left- wing cultural influence anxiety.

关 键 词：左翼文化 现代派 “同路人” “第三种人” 影响 

分 类 号：I206.6[文学—中国文学]