论沈从文传记叙事的“趣味化”问题  

On Shen Congwen's "Interesting Style" of Biographical Narrative

作　　者：王成军[1] 

机构地区：[1]徐州师范大学文学院,江苏徐州221000

出　　处：《浙江师范大学学报（社会科学版）》2009年第4期18-22,共5页Journal of Zhejiang Normal University(Social Sciences)

基　　金：江苏省教育厅高校哲学社会科学基金项目:忏悔叙事与事实正义--中西自传诗学研究(07SJD750010);徐州师范大学国家基金预研究项目:中西小说叙事与伦理(08xwr02)

摘　　要：以沈从文为代表的"趣味化传记叙事",是中国现代传记文学,特别是20世纪30年代中国现代传记文学叙事的共同特征及审美趋向。我们甚至可以说,被丁玲反感、否定的沈从文式的"趣味化传记叙事",正是中国现代传记文学"现代性"属性中最为明显的特色之一。因为"趣味化传记叙事"的平视角叙事方法,既不把传主当作神(仰视)也不把自己视为帝王(俯视),这样就解决了传记作家与传主之间存在的叙事矛盾,更有利于展示传主那有血有肉的复杂人生。传记诗学理应在理论上为沈从文式的"趣味化传记叙事"正名,以促进当代中国传记文学创作的繁荣与理论研究的深入。The ＂interesting style of biographical narrative＂ represented by Shen Congwen is a common character and aesthetic tendency in China＇ s modern biographical narrative, especially in 1930s. Shen Congwen＇ s style, which was disliked and denied by Ding in China＇ s modern biographical literature, in that the does not regard the hero as the god, it does not regard Ling, is one of the most obvious ＂modernity＂ character ＂interesting style＂ narration is a horizontal narration. It the author as the emperor either, which will settle down the narrative conflict between the biographer and the hero, thus demonstrate better the complex life of the hero. Biographical poetics should make Sheng Congwen＇ s style justified in theory so as to promote China＇ s modern biographical creation and further theoretical study.

关 键 词：沈从文 “趣味化传记叙事” 作者与传主 审美趋向 

分 类 号：I207.5[文学—中国文学]