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作 者:林娜[1]
出 处:《广东女性职业教育论坛》2009年第2期24-27,共4页
摘 要:20世纪90年代中期出现的“小女人散文”之“小”的特点,主要体现在作品取材上的“小”和意义上“小”的特点;时代和文学本身的因素是“小女人散文”曾经风行并一度出现繁荣的景象的原因;批评家以传统的文学价值标准去评判“小女人散文”,使曾经时尚的“小女人散文”最终归于沉寂。本文认为,客观、合理而公正的看待这种文学现象,是批评家的一种社会责任。The main feature of the "little women prose" which appears in the mid - 1990s is that it draws its material from "little" things and the meaning of "little". The reason why "little women prose" is once popular and is once prosperous is time and literature itself. But the "little women prose" which had drawn sharp criticism disappeared into silence eventually. Critics mainly use traditional standards of literary value to judge "little women prose", which makes the once fashionable "little women prose" disappears into silence. This essay argues that it's critics' social duty to treat this literary phenomenon.
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