析南音曲牌的曲牌性  

On the Properties of the Tune Names of Nanyin

作　　者：张兆颖[1] 

机构地区：[1]福建师范大学音乐学院,福建福州350108

出　　处：《福建师大福清分校学报》2009年第4期35-39,共5页Journal of Fuqing Branch of Fujian Normal University

基　　金：福建省教育厅B类项目课题:福建南音唱腔曲牌特性音调--腔韵研究;项目编号JBS06039

摘　　要：南音是一种以曲牌为主要音乐表现形式的乐种,与中国传统曲牌有紧密的联系,但其强大的填词性特征和功能在南音曲牌中被逐渐弱化,从相同曲牌不同乐曲歌词篇幅的巨大差异,就可感受南音曲牌的非填词性特征。而笔者以为,南音曲牌体本质已经内化为一种曲牌性思想和规律,南音腔韵的存在即为证明。Nanyin is a type of music expressed mainly through Qupai（tune names） and is closely related to Chinese traditional Qupai. However, the traditional properties and functions of the lyrics-filling in Nanyin Qupai have been gradually weadened. The property of non-lyrics -filling in Nanyin Qupai can be feh from the significant difference of the varied length of the songs under the same Qupai, either in terms of melody or their lyrics. This author would like to argue that the essence of Nanyin Qupai has been internalized as a kind of thoughts and rules of Qupai based on the evidence of the vocal music of Nanyin.

关 键 词：南音 曲牌 腔韵 

分 类 号：J632.7[艺术—音乐]