国内托妮·莫里森《秀拉》文学批评和接受的特点及成因研究  

Literary Reception of Toni Morrison's Sula in China:Features and Causes

作　　者：刘惠玲[1,2] 

机构地区：[1]湘南学院外语系 [2]华中师范大学文学院

出　　处：《外国文学研究》2009年第3期52-57,共6页Foreign Literature Studies

基　　金：刘惠玲主持的湖南省教育厅科学研究项目'对美国20世纪后期的后现代主义小说的研究'【项目编号:07c731】的阶段性成果

摘　　要：国内对托妮·莫里森小说《秀拉》的文学接受呈现出在时间分布上由少到多、在批评理论和方法的运用上由单一到多元、在接受态度上由争议到肯定等三个演变特点。究其原因,一是《秀拉》的内涵极富艺术张力;二是接受者整体的审美期待视野的改变;三是接受者探究文本的'问题意识'发生了变化。In China, literary criticism on Toni Morrison＇ s Sula is characterized with the following aspects： The research on Sula has been continuously increasing; the application of critical theory and approach has demonstrated a diversified trend; the positive reception attitude towards Sula has taken the place of controversial attitude. These changes are due to three causes. Firstly, Sula itself is of great artistic tension. Secondly, readers as a whole have changed their aesthetic horizon of expectations. Thirdly, readers have different ＂question awareness＂ from before when studying text now.

关 键 词：《秀拉》 文学接受 期待视野 问题意识 经典 

分 类 号：I712.074[文学—其他各国文学] I06