论王粲投曹后同题诗赋创作的艺术特色  

On the Art Features of Wang Can's Same-theme Poems after He Surrendered to Cao Cao

作　　者：黄燕平[1] 

机构地区：[1]浙江大学文学院,浙江杭州310028

出　　处：《西南交通大学学报（社会科学版）》2009年第3期15-20,共6页Journal of Southwest Jiaotong University(Social Sciences)

摘　　要：王粲投曹后政治际遇和生活境遇均有较大的改变,其诗赋多作于与邺下文人游宴唱和的活动中,即多属同题创作。这使得他投曹前重情的创作倾向逐渐淡敛隐退,注意力转向艺术技巧的探索和文藻的结撰方面,偏于以才驭文,表现出另一番鲜明的艺术特色,如语言骈化,词藻华美,文心巧思,猎奇工细等,就其艺术成就而言并不亚于前期,这一点理应得到学界的重视。After Wang Can surrendered to Cao Cao＇s governmental group, his political station and life condition changed greatly. His poems mostly composed with other poets in feast. Those works are mostly the same themes which many poets composed commonly. His early orientation which attached much importance to the expression of emotion faded away slowly. Because of it, many scholars mostly gave attention to his early works, and ignored his later art composition. Wang Can poems explored art skill and flowery language, putting on bright art features, for example optimised and exquisite language; masterly thinking, searching novelty and details. The art achievement of his later poems should be given more attention in academia.

关 键 词：王粲 曹氏集团 邺下文人 同题诗赋 骈俪化 

分 类 号：I207.22[文学—中国文学]