从叙事角度看中国式大片的困境  

Predicaments of Chinese Large-investment Films from Narrative Perspective

作　　者：刘郁琪[1] 

机构地区：[1]湖南科技大学人文学院,湖南湘潭411201

出　　处：《西安电子科技大学学报（社会科学版）》2009年第3期126-130,共5页Journal of Xidian University：Social Science Edition

基　　金：湖南省教育厅重点课题:"现代性"与百年中国文学潮流研究(08A020)

摘　　要：持续不断的骂声和指责表明,新世纪以降的中国式大片确实面临着某些需要摆脱的困境。在叙事学的视野中,二元性功能的缝合与分裂,视觉过剩与人性匮乏的纠缠,传统与现代观念的相互消解,分别构成了中国式大片在叙事对象、叙事方式、叙事伦理等三个方面的困境。这三重困境的产生有其各自不同的原因,因而需要不同的因应对策,才能真正将其摆脱和超越。The continuous blames show that the China＇s large-investment films in the new century do have some predicaments of which are difficult to get rid. From the narrative perspective, the suture and split between the two functions of the narrative objects, the lack of human connotation and the excess of visual spectacle on narrative discourse, the counteraction between the tradition and the modern concept on narrative ethical lead to the predicaments of China＇s large-investment films. These triple difficulties need different strategies to be got rid of.

关 键 词：中国式大片 叙事 困境 

分 类 号：J905[艺术—电影电视艺术]