西方音乐美学的诞生及其范式(上)  

The Origine of West Music Aesthestic with Its Forms

作　　者：宋祥瑞[1] 

机构地区：[1]武汉音乐学院音乐学系

出　　处：《黄钟（武汉音乐学院学报）》2009年第3期3-10,共8页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：西方音乐美学的诞生依赖于三个条件,它们是,1、艺术概念的确立;2、美学学科的产生;3、乐音艺术的形成。第一个条件,即艺术概念的确立使西方的音乐在概念上从科学中解放出来,成为一种表现美的艺术。第二个条件,即美学学科的产生,使对音乐美的研究有了一个学科规范。第三个条件,即乐音艺术的形成,为音乐美学研究提供了对象和问题。对于西方音乐美学的诞生来说,三个条件缺一不可。There are three conditions for the west music aesthestic produced： established the conception of the art, field of aesthestic appearanced, art of music formed. The first one is to, separtet the from the science, make the definiens of the West music on conception as an individual art form to showed the nice,. For the second one, it established the subject criterion for music aesthesuie. The last one, the music formed offered the objects and issues to the music aesthesti. None of these three conditions can be dispensable for the origine of West music aesthestic.

关 键 词：音乐美学 对位法 乐音艺术 歌词中心主义 乐音中心主义 

分 类 号：J601[艺术—音乐]