当代音乐批评中后殖民话语评析  

Critique of the Post-Colonialism Remark in the Modern Music Criticism

作　　者：李诗原[1] 

机构地区：[1]解放军艺术学院音乐系

出　　处：《黄钟（武汉音乐学院学报）》2009年第3期134-146,共13页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：20世纪90年代初以来的中国音乐批评中出现了以反思"五四"以来的中国新音乐发展道路、批判现代音乐(所谓"新潮音乐")为契机的后殖民话语。这种后殖民话语是以当代文化批判中的现代性反思和后殖民主义理论为依托的,显露出批评的后现代值取向。According to the writer＇s idea, there has been a kind of post-colonialism remark in the music criticism in China since 1990s, which profound consideration on Chinese new music development after May 4th Movement and animadvert on modern music, what is called new-fashioned music in Chinese. Based on the post-colonialism theory and the modern rethink profoundly in contemporary cultural criticism, the post-colonialism remark showed the inclination of the post-modern value in comment.

关 键 词：当代音乐 文化批评 音乐批评 文化霸权 后殖民主义 

分 类 号：J605.1[艺术—音乐]